Silent Disco

The result was dull. The writing was lukewarm; the performances were over-boiled; and the themes around mental illness and psychology were largely sidelined. The narrative itself was disjointed, and without the central piece of technology the production had very little to fall back on.
Had the headphones worked, it might have been a decent show. But I wouldn’t know. I can say, however, that the more fundamental problem is that the play seemed to rely too heavily on the external device in the first place. The core needs to be what is happening on stage, not what headsets you do or don't put over the audience’s ears.
About the Show
Ran from 5–31 August, except 11 and 17 August as part of Fringe 26.
