All Reviews

Steam rises from the grubby basins of the Carnegie Street Steamie, passing up over grand fluted colonnades and out of a window where the stars peer in on a Hogmanay eve, a disco…

The year is 2160. The world is destroyed and only corporations survive.

Chains disappear beneath soft tulle in Vicky Featherstone’s production of The Prime of Miss Jean Brodie.

A sheet of plastic stretches across a metal frame, blue light glowing behind it, slicing in two the space of the stage.

One chair has fallen over, three are stacked, and there is a fourth person who will never sit in any of them.

Private Peaceful is a one-man race towards a war we already know is coming.

The Silence of the Lambs arrives on the 2026 stage carrying the weighty visual memory of the 1991 thriller alongside it.

The Tailor of Inverness is a one-man epic about a son trying to recover his father from memory.

QFWFQ begins with Gregory Nussen apparently trying to get a show going.

The Dreaming is a one-woman performance about fertility and the eroticisation of pregnancy.

ROLEPLAY begins with Hannah Reilly stripping down to a thong and crawling across the stage to loud, aggressive EDM.

Our Other Organ is a performance lecture built around the anatomy of a body and the anatomy of an idea.