Summerhall

QFWFQ begins with Gregory Nussen apparently trying to get a show going.

The Dreaming is a one-woman performance about fertility and the eroticisation of pregnancy.

ROLEPLAY begins with Hannah Reilly stripping down to a thong and crawling across the stage to loud, aggressive EDM.

Our Other Organ is a performance lecture built around the anatomy of a body and the anatomy of an idea.

We Will Hear the Angels begins as an impressionistic poem about lonely lives, told through fragments of monologue, mundane sounds, found objects and music.

Plastic is an atmospheric musical recital from South Korean musician Min Young Kim, built around the geomungo, a traditional Korean string instrument.

The Plot retells the Gunpowder Plot through Thomas and Robert Wintour, who find themselves somewhere between purgatory and history, reconstructing the conspiracy and its aftermath…

We Had Fun sees Oscar and Ella become trapped in an elevator after a night together, each remembering what happened very differently, while the audience is left to work out where…

Tether is a fusion of Scottish and Korean traditional music and traditions, blending and merging the two in a sort of musical ballet.

Meteors sees grief brought to the stage in a one-woman monologue by a daughter living through the death of her mother, moving backwards and forwards between childhood, diagnosis,…

Tell Me opens beneath a suspended red cube which, like its subject, slowly lifts and spins faster and faster above the stage, ominously watching and waiting to descend on the…

Salty Brine: How Strange It Is (The Neutral Milk Show) is built around Salty's "live album" concept, turning an album into a live show.