TheatreFringe

Dracula: Lucy’s Dream

★★★★
VenuePleasance at EICC
Date Seen6 August 2026

Dracula: Lucy’s Dream is a horror puppet shadow play that pushes itself far beyond conventional theatre into the realms of a sickly ballet where light itself becomes the principal actor. This is physical theatre at a very high level, built from puppetry, shadow and light and results in nothing less than an extraordinary stage chiaroscuro.

The story is deliberately obscure, leaving much of it for the audience to decide. That can feel slightly absurd, and some moments are a little silly, and it is not always clear whether the laughter is intended. Yet the obliqueness is also part of the charm. The production trusts image and movement rather than explaining itself, and the result is better understood as an experimental fever dream than a straightforward horror story.

Its puppetry and lighting are the real event. Part of the fascination lies in watching something that looks almost impossible and being left to wonder how the trick is actually being done. An exceptional piece of visual theatre, even when the narrative remains deliberately out of reach.

Runs 6–11 August, 13–18 August, 20–25 August and 27–29 August at 5:30pm.

Published 06/08/2026
Review by James Fox
Dracula: Lucy’s Dream

About the Show

Theatre CompanyPlexus Polaire
DirectorYngvild Aspeli
WriterYngvild Aspeli
PerformersPlexus Polaire, Pascale Blaison, Dominique Cattani, Yejin Choi, Sebastian Moya, Marina Simonova, Kyra Vandenenden
Run6–29 August 2026
Production DescriptionA hypnotic reimagining of Bram Stoker’s immortal masterpiece from award-winning Plexus Polaire, the ‘exquisite’ (New York Times) creators of Moby Dick (Barbican). Lucy Westenra is centred in this haunting reinvention of the heart-pounding gothic horror about obsession, control and the demon inside. Reality fractures as Lucy drifts between dream and nightmare, victim and liberator. Life-sized puppets and human performers collide with original music and cinematic video in an intoxicating descent into desire, fear and female emancipation. Dark, sensual and visually breathtaking, this wordless production blurs the line between beauty and horror, human and puppet, life and death.